Carol Kanter

Grandma sewed on her Singer with a treadle.  I liked to watch her.  When I was small, she made some clothes for me and a whole wardrobe for the large, now-antique china doll she gave me, who had been given her and whose eyes opened and shut as she sat up or lay down. 

The summer before 8th grade, I wanted to learn to sew.  Mom bought me a Singer—electric, with no treadle—and I took a sewing class, learning to use my machine and follow patterns. 

When first married, we lived in a six-room student apartment for which I chose different fabrics and whipped up six sets of curtains, no patterns needed.  Later, using patterns, I sewed two  maternity jumpers for my expanding belly.  But these required no proper fit; they just had to be roomy.

Then when our daughters Jodi and Wendy were 5 and 3, my cousin asked if they could be flower girls in her winter wedding.  Her bridesmaid gowns would be pink with burgundy trim.  I chose a pattern, bought beautiful pink velvet fabric, and burgundy ribbon.  I remember feeling very nervous as I made the first cuts in that pristine and rather expensive fabric.

Now whenever I occasionally take out my electric Singer to use for some little project or other, I think of Grandma pumping her treadle and know she’d approve.  Because, no matter what, she always approved.

Carol Kanter

Carol Kanter’s poetry has appeared in over seventy literary journals and anthologies, but she keeps her day job as a psychotherapist. 

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